The central concern of the book, however, is the traditional artistry of Homer.
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Language: en
Pages: 241
Pages: 241
This study attempts to bridge the now classic gap between fixed form and functioning context which continues to limit our understanding of the Homeric phrase. The first part of the study uses the presence of Homeric phrases in other Greek poetry, especially the notoriously "Homeric" Theognis 237-254, to help identify
Language: de
Pages: 380
Pages: 380
"Schriftenverzeichnis von Joachim Latacz, 1994-2003": p. [373]-380.
Language: en
Pages: 384
Pages: 384
In recent decades, the evidence for an oral epic tradition in ancient Greece has grown enormously along with our ever-increasing awareness of worldwide oral traditions. John Foley here examines the artistic implications that oral tradition holds for the understanding of the Iliad and Odyssey in order to establish a context
Language: en
Pages: 300
Pages: 300
Fighting Words and Feuding Words engages the powerful tools of Homeric poetic analysis and the anthropological study of emotion in an analysis of two anger terms highlighted in the Iliad by the Achaean prophet Calchas. Walsh argues that kotos and kholos locate two focal points for the study of aggression
Language: en
Pages: 183
Pages: 183
This monograph lays the groundwork for a new approach of the characterization of the Homeric Helen, focusing on how she is addressed and named in the Iliad and the Odyssey and especially on her epithets. Her social identity in Troy and in Sparta emerges in the words used to address