Romantic and Revolutionary Theatre 1789 1860

Table of contents

Romantic and Revolutionary Theatre  1789 1860

Romantic and Revolutionary Theatre 1789 1860

Table of contents

More Books:

Romantic and Revolutionary Theatre, 1789-1860
Language: en
Pages: 558
Authors: Donald Roy, Victor Emeljanow
Categories: Drama
Type: BOOK - Published: 2003-06-05 - Publisher: Cambridge University Press

Table of contents
Theatre in Europe: Romantic and revolutionary theatre, 1789-1860
Language: en
Pages: 5023
Authors: Donald Roy, Victor Emeljanow
Categories: Theater
Type: BOOK - Published: 2009 - Publisher:

Books about Theatre in Europe: Romantic and revolutionary theatre, 1789-1860
The Gothic Novel and the Stage
Language: en
Pages: 256
Authors: Francesca Saggini
Categories: Literary Criticism
Type: BOOK - Published: 2015-08-12 - Publisher: Routledge

In this ground-breaking study Saggini explores the relationship between the late eighteenth-century novel and the theatre, arguing that the implicit theatricality of the Gothic novel made it an obvious source from which dramatists could take ideas. Similarly, elements of the theatre provided inspiration to novelists.
Citoyennes
Language: en
Pages: 272
Authors: Annie Smart
Categories: History
Type: BOOK - Published: 2011-12-23 - Publisher: University of Delaware

In Citoyennes, Annie Smart argues that many revolutionary and pre-revolutionary works constructed a civic identity for women and portrayed the home as a site for both civic virtue and private subjectivity. This interdisciplinary study offers a fresh interpretation of the role of women and the home in eighteenth-century France, and
British Drama of the Industrial Revolution
Language: en
Pages:
Authors: Frederick Burwick
Categories: Drama
Type: BOOK - Published: 2015-07-28 - Publisher: Cambridge University Press

Between the advent of the French Revolution and the short-lived success of the Chartist Movement, overworked and underpaid labourers struggled to achieve solidarity and collective bargaining. That history has been told in numerous accounts of the age, but never before has it been told in terms of the theatre of