Ibsen A Doll s House

It is said to be attractive – as a room in a doll's house is likely to be . The piano ( music ) , the engravings ( art ) and the books ( literature ) suggest that at least one of the inhabitants has cultural interests .

Ibsen  A Doll s House

Ibsen A Doll s House

A 1995 critical study of Ibsen's A Doll's House which looks at texts and performances.

More Books:

Ibsen: A Doll's House
Language: en
Pages: 210
Authors: Egil Tornqvist, Tornqvist Egil
Categories: Drama
Type: BOOK - Published: 1995-04-27 - Publisher: Cambridge University Press

A 1995 critical study of Ibsen's A Doll's House which looks at texts and performances.
Henrik Ibsen: A Dolls House
Language: en
Pages:
Authors: Stephen Siddall
Categories: Literary Criticism
Type: BOOK - Published: 2013-09-24 - Publisher: Humanities-Ebooks

The book discusses responses to Ibsen, especially those of George Bernard Shaw and William Archer in London, and the relationship of the play to issues of theatrical censorship. (More modern treatments, like the remarkable ones by Ingmar Bergman and by Fassbinder, are also covered.) The character of Nora leads into
A Doll's House
Language: en
Pages: 110
Authors: Henrik Ibsen, Simon Stephens
Categories: Drama
Type: BOOK - Published: 2012-08-29 - Publisher: A&C Black

Henrik Ibsen's A Doll's House premiered in 1879 in Copenhagen, the second in a series of realist plays by Ibsen, and immediately provoked controversy with its apparently feminist message and exposure of the hypocrisy of Victorian middle-class marriage. In Ibsen's play, Nora Helmer has secretly (and deceptively) borrowed a large
A Doll's House
Language: en
Pages: 124
Authors: Henrik Ibsen
Categories: Husband and wife
Type: BOOK - Published: 1890 - Publisher:

Books about A Doll's House
A Doll’s House
Language: en
Pages: 136
Authors: Henrik Ibsen
Categories: Performing Arts
Type: BOOK - Published: 2020-10-01 - Publisher: Bloomsbury Publishing

Ibsen's 1879 play shocked its first audiences with its radical insights into the social roles of husband and wife. His portrayal of the caged 'songbird' in his flawed heroine Nora remains one of the most striking dramatic depictions of the late 19th century woman. This revised edition contains introductory commentary